The Following Aesthetic Reasons

032c is a bi-annual contemporary culture
magazine at the intersections of fashion, art and politics. Finding the new
in the old and the old in the new,032c invites leading and emerging
creatives to collaborate on mono-thematic issues. It has been considered
to be "dedicated to the celebration of ideas" by i-D, "revue ultra-pointue"
by French Vogue, or simply as "the Berlin magazine that propogates an
aesthetic of brutal elegance" by Frankfurter Allgemeine Zeitung. "The
magazine fuses art and architecture,literature, urban studies and fashion
in ways", states New York Times, "that can make one forget how depressing
a visit to a newsstand has become."
032c is internationally distributed to selected art bookstores, fashion
boutiques and newsstands. The magazine has been exhibited at places such
as London Design Museum, Colette (Paris), GAS (Tokyo), The Pineal Eye
(London) and the 3rd Berlin Biennial. The 16th issue is chillingly called
"Post-America", although it might as well be called "Post-NYC" because
apparently the only bookstores that carry the mag in the entire USA are in
NYC. I'm not surprised, just mildly bemused. Anyways, this is what you will
find in the 16th issue. I'll be picking it up when I'm in America, oh
excuse me New York, over Thanksgiving holiday.

16TH ISSUE
"Post-America", Winter 2008/2009

INSIDE: "A new world is coming into being almost unnoticed." JOHN GRAY tells Hans Ulrich Obrist about the political and financial unrest in the "Post American Age;" STEVEN MEISEL reveals fashion's cruel and beautiful in a rare interview (plus a seven-page foldout madness of all his Vogue Italia covers); Wes Jones illustrates Dubai and the effects of superabundance; artist STURTEVANT tackles copy, copyright, and the ready-made; architect Jürgen Mayer H., and artists Ralf Ziervogel and RothStauffenberg form a cluster of 3-4 FANTASTIC GERMANS (with 032c's Architectural Digest visit to Mozambique's Grand Hotel gone bad); Photographers Max Farago and Alasdair McLellan bring on "THE NUDES;" and so much more on 246 pages.

D €10 EU €12 US $20

A note from David, of Dare to Care Records, about how the video was made:

"We actually shot our characters on green screen to start with. Then we edited, keyed and composited in AE to add the other elements like snow and stadium. We then outputed 723 jpeg of the clip to our knitter that used them as templates for the knits. The knitting technique is actually called in french "Tricot machine", hence the band's name!"

The innovative mixed media visual art is reminiscent of Copy Shop, an Oscar nominated short about a man who copies himself until he fills the whole world with his clones. Copy Shop actually consists of nearly 18,000 photocopied frames, which were animated and filmed with a 35mm camera.